16 Comments

Full of life. Only when onstage.

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Yes indeed. Strange as it may be... Thanks for reading and your comment, James.

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Gracias por esta historia, afrontar una enfermedad es un tema sensible para mí. Comprender la decisión del personaje fue difícil...

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Entiendo que pueda ser difícil hacer un decisión así, y posible mas difícil entender el por que. Pero, como sea, me da gusto que tienes tu interpretación. Esto es lo importante. Gracias Mónica!!

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"The harbor lights far below the theater on the hill cast a fisherman’s filament of illumination that hooked his resolve and reeled him slowly down toward the sea."

It's hard to single-out one quote from this--every line is so well crafted. I always read your stories 2-3 times for the prose. This is great work, Victor.

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Thank you Jim. That's very kind of you to say so. I'm glad you enjoyed it. I think it was that image that got me started on this.

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Hello Victor My absence from this place was punished. I had to re-authenticate myself. "Re-authenticate" hmmm ... what is that a metaphor for?

Reading your story is as delightful as always.

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Hello Elva and it's good to see you here again. I'm glad you got re-authenticated. Maybe that's like being reborn in Substack land. Whatever the metaphor may be, I hope you're doing well, and many thanks for checking out this latest tale, and for your lovely comment.

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Magnificent writing. Poignant. I could almost smell the streets like I was there.

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Thank you. I'm glad you enjoyed it. My old stomping grounds, as I think I mentioned.

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I just adore your lyrical storytelling. I'm ignorant to the reference but at least I caught the reference of the city and it reminded me of seeing my most favorite piece of theater ever in Seattle in a place called Black Sheep theater or Free People theater or something - it was a lifechanging moment for me, a person who'd been prejudiced against thespians until that point.

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Thanks Trilety. I'm glad you enjoyed it. The Ionesco reference is fairly obscure, a play called "The Chairs", which I was in once upon a time.

Good on the Seattle connection. That's my old stomping grounds, before moving to Mexico. And good thing you're okay with thespians since I'm, well.. ex-thespian, anyway. :)

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Well you likely would've changed my mind about thespians a long time ago! The play i saw involved a woman who crocheted a costume to look like a banana slug and then crocheted and real cabbages dropped from the ceiling and she caught them with her feet and would tear into them with her teeth - slightly acrobat - and this was all before the ninja fight portion of the play where she built a costume of hooped steel, a bit like a weeble wobble!

I will look up The Chairs! Obscure is my jam and the only other play i recall appreciating was Oleanna by Mammet - but he is not obscure ha. And can you ever truly be an "ex-thespian?" I feel like if it's in you, it's in you, and who knows what stage you will grace with your presence in the future. . .

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I don't know one with banana slugs, but it sounds like something a theater up on Capitol Hill (can't remember its name) would have done. Maybe Black Sheep or Free People, like you mentioned. I do remember they were into the bizarre, for sure.

Yeah, The Chairs is pretty weird. Hope you enjoy it. I've got a book of Ionesco with a few different plays in it. As for gracing stages, I can say with certainty that my dogs love it when I grace the kitchen stage where the treats are stored :)

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I have not read Eugene Ionesco, but I'm pretty sure he owes me money. Nevertheless, I very much enjoyed the allegory here. You've spun another nice tale.

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It may be a little hard to collect as he left us some years back. His plays have always intrigued me, absurdist and penetrating. Thanks for checking it out, Mike. Glad you enjoyed it!

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